Saturday, September 30, 2006

Fable

There won't ever be any documents, any archive that will stand the test of time, biologically speaking. All that we have as any semblance of a legacy is our own species, the one thing we create that will last and biologically speaking we are working against horrible, horrible odds. This is why it's so sad when the last of a species dies, a one-in-a-million chance lost forever. It's sad when someone is forgotten.

It's amazing what an animal will do when it thinks nobody is watching... how an animal will behave with no one there to fuck with it.

Did you know:
Back when, man and animal were able to speak a common language.
Then man betrayed animal and the bond was broken.
Man was cursed not only to be stranded amongst his own hairless kind,
but to forget, and to someday believe himself humble,
mistaking his deficiency for superiority
as he scrutinized his own flawed mirror image.
And indeed, the animals weren't trying to punish man;
they felt no bitterness or anger;
it was simply that to look us in our eyes
would cause unbearable sorrow.
Now it is said that for each of us who has forgotten,
there is an animal that we will one day look in the eyes
who will remind us of everyone we have turned our backs on.

This story is a part of our common heritage, a shared memory that we all own but seldom recognize.
This is something I've always known but it took me this long to remember it.

Thursday, September 14, 2006

Brooklyn Robot Parade, April 2006

This was a great day. It had been raining all morning and things were looking grim at first. The turnout was weak, but a few robots showed up. And so we marched. We marched to and fro in the Brooklyn neighborhood of Dumbo. Humans and robots, side by side.

I was there in my official capacity as conductor of the Robot Marching Band. Digital, that is....

Tuesday, September 12, 2006

Back when...

I used to be an artist. Remember them days? It all seemed so simple then. Initially there was the creation of a body of related work, there were the long days in the studio drilling holes and welding and making molds and pouring metal and scratching the head, there was the artist statement.

All along, though, I KNEW that it was really just about living it.

People agonize over their artist statements... the instructors indoctrinate us to do so, after all... but for me it was one of the easiest things, perhaps because I knew I wasn't trying to sell a product, but instead just wanted to say something about myself. In some ways writing always seemed easier because all you really needed was a pen and paper, maybe a typewriter. While it still involved sweating, cursing, and a certain amount of dirt, it wasn't like trying to reassemble a wax sprue system covered in silica that has just fallen apart halfway through the shelling process.
My artist statement followed the very simple format of a short biography, about five paragraphs, each relating a period in my life and how it was relevant to how I became an artist. But at the end, it is revealed that I didn't become an artist as such; rather, I had always been one and it had taken me more than twenty-five years to figure it out.

Then there was the inevitable process of development; this is what my work means, this is what I'm trying to do, this is what being an artist is all about. And several months later: no, it has evolved into this and that now. And then later: now it's this.

Then of course I reached the point where I couldn't make any sense of it all anymore, declared the entire concept of art officially "theoretical", and thus art can be/mean anything, or nothing at all. Which then lead to the conclusion: even to declare such a thing makes no sense, is fundamentally wrong, as if trying to speak in words in a world where language simply does not exist.

Then the notion that I am not an artist at all, and that in fact there are no artists.

But back when I used to be an artist, I used to write. Oh man, I used to do it, you couldn't stop me. Through all the drawing, sculpting, tape recording, the writing was always there, an integral backbone to the whole spiel. But it's been a few years now since I've had that flow. Blogging is a goofy reminder of that lack.

I suppose that this isn't that profound, but there seems to be a distinct pressure attached to blogging. I feel kind of bad if I let a lot of time go by without a new entry. As if there is an audience anxiously awaiting my new entry, and I'm letting them down, haw haw. Part of it, maybe, is also that nobody wants to give the impression that they started something whole-heartedly and then let it fizzle out. And then of course there is the fact that the blog is publicly available, thus the need to censor and critique...

Following along with the logic of the pressure, it occurred to me that maybe I ought to pick through my old material from the Glory Daze, and post excerpts of my favorites during those lean times...